|
|
|
looking
for HTML help:
Check out webmonkey
or Werbach's barebones
resource and guide
|
|
FTP/fileshare
|
|
|
| |
 |
How
do I get my files from my UNIX directory to the lab and vice versa?
beware |
| |
|
Use
Fetch
for Mac FTP (the desktop icon has a puppy with a floppy in it's mouth).
One nice hint for you UNIX folks. Use the TAB key on the keyboard
to scroll between text fields. Use the RETURN key to submit your FTP
connection information once all text fields have been entered. Transfering
files to the Mac from other platforms is trouble free. Any file including
raster images (JPG, TIF, GIF, PDF) should have the transfer mode set
at BINARY. ASCII, UNIX PostScrip, and UNIX EPSF files cross fine in
TEXT mode. It's best not to FTP complete directories. Beware:
Mac files usually have two file forks verses UNIX or PC files with
a single data stream. Mac files created to cross platform must be
saved specifically for a single data stream (e.g. when saving raster
images as TIFF in photoshop, you need to specify a PC byte order).
We've had lots of experience crossing platforms in the Publication's
Office and will be happy to help if needed. |
| |
 |
The
workstation that has my files on it is occupied. Can I access
them using a different lab computer that has the same software? |
| |
|
As
long as your files have been saved in designated User Data directories,
you will be able to access and work on those files on any other Macintosh.
If desktop icons are not already available at your workstation, click
on the apple in the top menu bar (upper left corner of the desktop)
and drag the mouse down vertically to Chooser (Chooser will be highlighted)---let
go of the mouse. The Chooser dialog box will become available on the
desktop. NOTE: Please close the Chooser Dialog
Box after selecting the directory your files are on (Leaving the Chooser
open on the desktop slows the apple network down by sending out signals
every 5 seconds..."I'm here, who else is on the net.").
In the Chooser dialog box select AppleShare by clicking on it's icon
with your mouse. A list of available CPUs will appear. Select the
CPU your files are on by clicking on it's name from the selection
list and then click the OK button. Each CPU will bring up additional
dialog selections. In the next selection box click on guest
and then click on the OK button. Your final selection will be the
USER DATA directory your files are on. Again click the OK button.
An icon for the User Data directory will appear just under the the
stack of disks and drives on the right side of the desktop. You can
treat this icon as if it were a part of the current workstation. A
word of caution though. If you notice the person sitting at the workstation
(where your original files are located) is crashing and freezing the
CPU, you may want to copy your original files to the machine you're
actually doing the working on! |
|
printing
|
|
need
IfA printer support; ask George (gmm) IfA
printer names and locations |
|
|
 |
How
do I select a different printer to output my files? Use
the utilities control strip on the desktop: |
| |
|
click on to select
a different printer. |
|
|
 |
Why
does the printer I use on UNIX have a different name in the lab? |
| |
|
It's
just the way names were set up on the network. Newer printers have
consistent names on all platforms. <Specifics> |
| |
 |
Why
is Phaser (color) cutting off my image on the top and bottom of the
page? |
| |
|
Phaser requires a top and bottom 1.5 inch gripper margin
for Mac print jobs. Go to Page Setup under the File menu to reduce
the physical size of your output or to select legal paper. A selection
of paper sizes (default: leter) will be available for the current
printing environment setup or change the
output size (default: 100%) to 75% or so. |
| |
 |
Is
it OK to change the paper trays on Phaser? note:
default tray is letter paper |
| |
|
YES. Most folks expect to find the letter
paper tray loaded (Phaser can only have one tray inserted in the
printer at a time). If you're needing to use a different paper size
or transparency stock, you must load the tray which contains the
size and or stock you need to print on. Before switching trays,
check the front of Phaser to see if the ready light is flashing
on and off. If so, Phaser is in the middle of printing a file and
you should NOT change the printer's paper tray. There is no way
of checking how many Mac files have been queued to the printer,
but you can see how many UNIX files have been sent from your UNIX
account (lpq -Pcolor). It is very important to close the lid to
the paper trays when removing them from the printer to keep the
paper inside dust free. Please note that each tray has specific
printer settings for size and stock to let the printer know which
tray is in the printer. Never change these settings on a tray or
put anything in a tray that is not specified on the tray's cover
label. If you're filling a tray with paper you should note that
the shinniest surface of the paper faces up in the tray. Never put
more than 25 sheets of stock in a tray at a time. Transparency stock
should have the triangle peel corner oriented away from the printer---if
the paper feed encounters the peel corner first while pulling the
transparency sheet into the printer---the sheet will JAM.
Whenever you change a paper tray from the
lab's default (letter paper), please make everyone at the IfA happy
by loading the letter paper tray back into the printer when you
have finished your print jobs.
|
|
|
 |
Where
are paper supplies for Phaser? |
| |
|
Supplies
can be found inside the low cabinet in the lab. Phaser
supplies need to be dust free. Dust on supplies or paper will
prevent the transfer of color to take place leaving a white spec where
dust is. Please help us keep Phaser supplies dust free by putting
unused supplies back into their shipping sleaves and close the cabinet
doors. Never leave Phaser stock exposed to the lab's dusty environment. |
|
|
 |
Why
are the transparency sheets for Phaser always jamming the printer?
|
| |
|
Check
to see how the transparency stock is loaded in the tray. Transparency
stock should have the triangle peel corner oriented away from the
printer---if the paper feed encounters the peel corner first while
pulling the transparency sheet into the printer---the sheet will JAM.
Phaser is getting old and legal stock tends to jam more than letter
stock. If you find the jam light going off and on on Phaser, pull
out the paper tray and any paper that may be stuck feeding into the
printer. Re-insert the paer tray. Open the top of the printer. Look
for and remove any jams inside the printer (plainly visible through
the color tranpsrency roll) before closing the top of the printer.
Opening and closing the top of the printer resets the printer and
allows jobs to continue printing. |
|
posters
|
|
|
|
|
 |
Which
printer is the one I can print large posters on? |
| |
|
HP
DesignJet 2500CP. If you set your printng environment to print to
the HP DesignJet 2500CP, it is VERY IMPORTANT
to set the printing environment back to laser
or pixie before you leave the workstation
or the Graphics Lab! Never leave a workstation with the HP DesignJet
2500CP large format printer specified in the printing environment
without posting a note at the workstation to let others know where
their print jobs (possibly just e-mail) will end up! |
|
|
 |
Which
software should I use to make posters? |
| |
|
Adobe
Illustrator. To specify E size paper (36" x 48") in Illustrator,
you must have the HP DesignJet 2500CP set in your printing environment.
Only then will the large paper sizes be available to you. Once you've
saved a file with the document setup to E size paper, you will always
have that paper size specified no matter what printer the printing
environment is set to. It is VERY IMPORTANT to set the printing environment
back to laser or pixie before you leave the workstation or the Graphics
Lab. Never leave a workstation with the HP DesignJet 2500CP large
format printer specified in the printing environment without posting
a note at the workstation. |
| |
 |
What's
the best way to use my UNIX TeX files, images, or PostScript files
for making posters? |
| |
|
YES! |
|
|
 |
How
large can I make my poster? |
| |
|
YES! |
|
|
 |
How
long does it take to print a large poster? |
| |
|
Depending
on the size of the image files in your poster...a small file takes
an hour minimum with a required 8 minute drying time before the printer
cuts the paper (do NOT attempt to cut the paper yourself). I've had
posters (36" x 48") with very large image files take up
to 4 hours to print. BE PATIENT-->IF YOU LIFT
THE PRINT HEAD LID to see what's going on, the job will stop printing
and a service / error messages (only George can fix) will
appear! The printer will have to be completely turned off,
turned on, and all the ink systems taken out and replaced. Once everything
is up and running again, you'll have to resend your job. |
|
scanning
|
|
flat
art, text, and slides |
|
|
 |
Why
is the flatbed scanner off and does it need to warm up when I turn
it on? |
| |
|
Unfortunately
this scanner does not turn the bulb off when it's not being used.
The color accuracy of the bulb has a relatively short time span and
changing the bulb is a nightmare. Please help us save mailing this
scanner to the mainland for a bulb replacement by turning the scanner
off when it's not in use. If you plan on scanning color art, you should
let the bulb warm up at least 20 minutes or so before scanning.
|
| |
 |
What
software do I use to access the scanners? |
| |
|
I always
recommend Photoshop. There's a little bug in the lab that may make
you think you can't scan---don't believe it.(file---aquire---fotolook)
will bring up the scanning dialog box. Press the preview button. An
error message may question the ability to access the scanner. Press
cancel and try again. You'll find the scanner always works on the
second try.
|
|
|
 |
What
resolution should I use when I scan? |
| |
|
Folks
need to know how they'll be outputting their files to optimize scans.
|
| |
 |
My
original is awful. How can I clean up the scan? |
| |
|
Believe
it or not, folks are amazed at how easy it is to clean up a bad scan
with Photoshop. Depending on the circumstances (line art or continuous
tone) it's best to ask me for a quick demo. |
| |
|
The
important thing to remember is your scan will always be faithful to
your original. If the original is junk to begin with, you can plan
on spending a lot of time fixing the scanned image. Sometimes it's
simply faster to redraw then to clean up. Feel free to consult with
me at any time about your artwork. It just may save you a frustrating
experience and time. |
| |
|
For line
art, I generally scan the art in grayscale mode. After the scan I
use Photoshop's levels (image---adjust---levels) to eliminate the
unwanted pixels in the mid and highlight areas. I then select the
"wanted" line art with the magic wand tool set at a tolerance
of 25 pixels or more. To increase the selection to all of the line
art simply use (selction---similar). Increase the selection by 2 pixels
(select---modify---expand), reverse the selection (select---inverse),
and use the delete key to eliminate all the background (note the color
for the background must be set to white), or fill the selected background
with white (edit---fill) and specify white 100%. After a few more
minor adjustments most original art with high contrast can be converted
to a small 1 bit file (true line art). Use the 50% Threshold method
and specify your output according to the resolution you need for viewing
or printing. If lines are weak or easily break up you may want to
keep your art as a 24 bit grayscale Please note that 24 bit grayscale
images undergo halftoning for offset press which usually is more expensive
to print than line art. |
| |
|
For continuous tone or color art use the rubber
stamp tool to select pixels neighboring the areas that needs retouching.
Select a small brush (one without antialiasing for pixilated data---one
with antialiasing for continuous tone photographs) and apply the
cloned rubber-stamp pixels where needed. Please note the rubber
stamp tool is a pig and requires enough memory to copy the entire
image to the clip board. Good memory management requires you to
purge the clip board or select a pixel or to and use the (command-C)
to copy just 2 pixels of information---overwriting the complete
image stored there. Some folks find the Dust and Scratches Filter
(filter---noise---dust and scratches) and it works fine for them.
I personally, prefer not to use it over an entire image because
it degrades the image by blurring.
|
| |
 |
Is
there any difference between the slide scanners? |
| |
|
Nor really.
Both work just fine. I'd like to keep the newer one clean. If your
slides are dusty and have something growing on them (Don't laugh---it
happens in Hawaii), please use the slide scanner on Quadra1. If you
keep your slides in a airtight container---in plastic sleeves, you
should still clean them with can air (DustOff, $5.00) before putting
them in the slide scanner on GLG3. Dust Off is available at Longs.
|
| |
 |
Can
I scan text or tables and save it as an ASCII text file? |
| |
|
YES!
Use OmniPage--it's great. Omnipage works best scanning 12 point times
roman text. The 98% accuracy claim OmniPage refers to actually comes
close with this font and type size. Smaller type is less accurate.
Helvetica causes m's to turn into r n, S's or 5's switch back and
forth to each other, and so on. OmniPage color highlights text it
can't make out which makes editing more enjoyable. There's lots of
settings and saving features, so feel free to ask me when you have
a question.
|
|
solitaire
|
|
for
making slide presentations |
|
needs
|
 |
Which
software should I use for making slides? |
|
repair
|
|
YES! |
|
|
 |
What
are the aspect ratio size requirements for Solitaire? |
| |
|
YES! |
|
|
 |
How
do I send my files to solitaire and how long does it take to image
film? |
| |
|
YES! |
|
backup
|
|
3.5
disk (1.4 MB); SyQuest 250 & EZ 135, Iomega ZIP 100 & 250;
CD; DAT |
| |
 |
What
are the procedures for CD backup in the lab? |
| |
|
YES! |
| |
 |
What
software is used for the DAT drive? |
| |
|
YES! |